I'd like to bring my experience as an actor and writer to my coaching sessions. We'll look at both commercial copy as well as animation scenes and will work one on one with talent to work on the breaking down copy or a scene. I'd like to treat this more like an act ing workshop instead of a straight VO class. Yes\, we can cover some VO ba sics\, but it'd be fun to think of copy as a mini monologue\, or animation copy as a straight two person scene and stretch our actor muscles.
\n \nAttendee Takeaways: So you've already got a great voice\, but let's w ow them with your acting. Let's explore commercial copy and animation scen es from more of a performance perspective. We'll focus on and brush up on techniques such as point/counterpoint\, reversals and turns\, and we'll ex plore emotional intentions/wants that can help drive the scene or copy. Ye p\, good ol' fashioned actor work! We'll have some fun by treating boring old commercial copy as mini dramatic or comedic monologues\, and animation copy as two-person acting scenes - all with the focus on making stronger and more emotional choices that will help auditions stand out from what ev eryone else is doing.
BEGIN:VALARM UID:32346263-3039-4138-a238-653238373634 ACTION:DISPLAY DESCRIPTION:I'd like to bring my experience as an actor and writer to my co aching sessions. We'll look at both commercial copy as well as animation s cenes and will work one on one with talent to work on the breaking down co py or a scene. I'd like to treat this more like an acting workshop instead of a straight VO class. Yes\, we can cover some VO basics\, but it'd be f un to think of copy as a mini monologue\, or animation copy as a straight two person scene and stretch our actor muscles.\n\nAttendee Takeaways: So you've already got a great voice\, but let's wow them with your acting. Le t's explore commercial copy and animation scenes from more of a performanc e perspective. We'll focus on and brush up on techniques such as point/cou nterpoint\, reversals and turns\, and we'll explore emotional intentions/w ants that can help drive the scene or copy. Yep\, good ol' fashioned actor work! We'll have some fun by treating boring old commercial copy as mini dramatic or comedic monologues\, and animation copy as two-person acting s cenes - all with the focus on making stronger and more emotional choices t hat will help auditions stand out from what everyone else is doing. TRIGGER:-PT15M END:VALARM END:VEVENT END:VCALENDAR